Georgia O'Keeffe (1887-1986) was an influential American artist known for her modern paintings of natural forms, particularly flowers, animal skulls, and New Mexico landscapes. Born in Sun Prairie, Wisconsin, O'Keeffe grew up on a farm and developed an early interest in art. She received formal training at the Art Institute of Chicago and the Art Students League in New York, where she learned traditional painting techniques. However, her artistic direction changed significantly after studying with Arthur Wesley Dow, who encouraged her to focus on personal expression through the harmonious arrangement of line and colour.
O'Keeffe's breakthrough came when she sent a series of abstract charcoal drawings to a friend in New York, who showed them to the photographer and gallery owner Alfred Stieglitz. Stieglitz exhibited her work in 1916, beginning a lifelong professional and personal relationship. O'Keeffe moved to New York in 1918, where she became integral to Stieglitz's circle of modernist artists and married him in 1924.
During the 1920s, O'Keeffe gained acclaim for her large-scale paintings of flowers, which she magnified to highlight their intricate forms and colours, making them almost abstract. Her works, such as "Jimson Weed/White Flower No. 1" and "Black Iris", are iconic examples of this style. O'Keeffe's fascination with the American landscape is also evident in her depictions of New York skyscrapers and the vast desert scenes of New Mexico, where she spent significant time from 1929 onward and eventually made her permanent home in 1949.
In New Mexico, O'Keeffe found endless inspiration in the rugged terrain, bleached animal bones, and clear desert light. Her paintings from this period, including "Cow's Skull: Red, White, and Blue" and "Pelvis Series," reflect her deep connection to the landscape. Even in her later years, when her eyesight began to fail, O'Keeffe continued to create art with the help of assistants, focusing on themes she had explored throughout her career.
O'Keeffe's legacy as a pioneer of American modernism endures, with her work continuing to inspire and captivate audiences worldwide. Her innovative approach and unique vision have secured her place as one of the most influential artists of the 20th century.
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