‘Wild Flowers at Low Tide, The Camel Estuary’ is a serene and luminous celebration of Cornish light, painted by acclaimed colourist Joanne Short. This elegant square-format work brings together the clear colours of the Camel Estuary with the quiet beauty of wild coastal flowers in full summer bloom.
The foreground is filled with a delicate tapestry of botanical forms. Clusters of white daisies unfurl across the lower edge of the canvas, their petals catching the bright coastal light. Tall stems of foxgloves rise amongst them, painted in rich magentas that contrast beautifully with the cool aquas and pale greens beneath. Sculptural cow parsley plants extend their fine branching structures across the composition, adding height and a graceful sense of movement.
Beyond the flowers, the estuary opens out in broad sweeps of colour. Horizontal bands of soft yellows, warm creams, lilacs and sea blues evoke the shifting layers of sand, water and reflected sky at low tide. These gentle transitions of colour create a calm, expansive atmosphere that is characteristic of Joanne Short’s work.
In the distance, the rolling green headlands anchor the composition and provide a crisp contrast to the soft tones of the water. Their simplified forms and clear outlines echo the traditions of modern British coastal painting, while maintaining the artist’s distinctive palette and clarity of design.
This refined and uplifting painting captures the poetry of the estuary at its quietest moment, when the tide recedes and the landscape opens into bands of colour. A highly collectable piece, it brings harmony, freshness and a sense of wellbeing to any interior.
Item Information
| Description |
Framed Original Painting |
| Artist |
Cornish Artist Joanne Short (born 1967) |
| Signed by the Artist |
Signed by Joanne Short |
| Painting size |
24 x 24 inches |
| Medium |
Oil on canvas |
| Framed size |
32 x 32 inches |
| Frame type |
Joanne Short: In the 1950s, simple neutral frames became popular for St Ives artists. Joanne chooses an off-white so the lightest tones appear in the painting. The moulding is a variation of 'Salvator Rosa' from Italy. Hand-finished in almond white paint.
|
| Ready to hang |
Strung with picture cord and ready to hang |
Artist Information Links
Artist Information I View Joanne Short's Latest Paintings