This Cornwall painting is a piece of original art painted with acrylic on board by Cornish artist John Dyer.
'Moonlit Journey, Botallack' by John Dyer is an immersive composition that captures the enchanting beauty of Cornwall’s coast under a shimmering night sky. This expansive 33 x 40-inch acrylic on board transports collectors to the heart of the Cornish sea, where marine life and maritime heritage converge in a scene both tranquil and teeming with life. The artist’s vibrant palette and use of silver leaf applied to the painting's surface for the moon and swirling stars create a dreamlike atmosphere reminiscent of folk tales and maritime legends. The painting is varnished to protect the silver leaf.
The painting invites viewers to drift alongside the majestic Scillonian, whose journey under the moonlight evokes a sense of exploration and nostalgia. Surrounding the ship, Dyer’s signature details bring the waters to life with a rich ecosystem below – from dancing fish and ethereal whales, a mother and calf on their own moonlit journey, to seals and playful seabirds above. The cliffs of Botallack rise in verdant splendour, dotted with historical remnants, as the coastline bears witness to the ebb and flow of Cornish history and natural wonder.
This original work is a rare celebration of Cornwall’s coastal spirit, expertly rendered in Dyer’s lively, expressive style. For collectors, 'Moonlit Journey, Botallack' represents not only an investment in fine art but an everlasting invitation to the magic of Cornwall’s seascape. A captivating addition to any distinguished collection, this painting embodies the joy, colour, and adventure of life by the sea.
Item Information
Description |
Framed Original Painting |
Artist |
Cornish Artist John Dyer (born 1968) |
Signed by the Artist |
Signed by John Dyer |
Painting size |
33 x 40 inches |
Medium |
Acrylic on board, varnished to protect the silver leaf. |
Framed size |
41 x 48 inches |
Frame type |
John Dyer: In the 1950s simple neutral frames became popular for St Ives artists. John chooses an off-white so the lightest tones appear in the painting. The moulding is a variation of 'Salvator Rosa' from Italy. Hand-finished in almond white paint. |
Ready to hang |
Strung with picture cord and ready to hang |
Artist Information Links
Artist Chronology I Paintings in Public Collections I View John Dyer's Latest Paintings